I'm interested in exploring the ways we can step outside of ourselves, even while interrogating our own interiorities—
in words that function as connective tissue: between genres, between organisms, between the micro and the macro, between the individual and the collective; I'm interested in telling the same story a hundred different ways; I'm interested in beginning with the fifth paragraph; and I'm interested in writing like a glass frog: a living, breathing organism that reveals every machination throughout the brain, heart, and body.
In my essays, short stories, poems, and longer works, I aim to embody the words of the great Sylvia Plath:“Personal experience is very important, but certainly it shouldn’t be a kind of shut-box…it should be relevant, and relevant to the larger things.”
About my writing:
About my ethos:
My work engages with the larger political, cultural, racial, and societal issues of our time through the lens of my most intimate, lived experiences. As such, at the heart of each and every one of these explorations, new and old questions surface about (un)belonging in America, Black-/Latinx and neurodivergent personhood, childless millennial womanhood, interpersonal and interracial relationships, and the disintegration of the natural landscape as imposed by legacies of colonization.
Select published work.
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"With A Hunger to Swallow the World"
An essay that tracks the degradation of an ill-fated relationship that ends with a devastating betrayal, while simultaneously unraveling the narrator’s burgeoning obsession with the videogame Skyrim.
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“Honey, Turmeric, Lemon”
A young Black writer’s reflection on the ways in which she has worked to better herself on the inside and the outside; toeing the line between what is new, healthy progress and what was, back then, an overcompensation for a deep, aching insecurity.
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"Mira Jacob: I’m Not Going To Hold It For You”
As a biracial, millennial woman growing up in America, Briana Gwin quickly realized she had a personal stake in Jacob and her work—what it might suggest for all those trying to navigate a divided nation, while still keeping what matters most closest: our identities, our families, our future. See their conversation here about the importance of owning your shame.
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“Is This Your First Time?”
In this exceedingly personal essay, the narrator recalls in vivid detail the experience of being sexually assaulted by her long-time domestic partner—and the devastating aftermath of this experience in a post-Trump America.
Featured Excerpt:
Midnight & Indigo
Honey, Turmeric, Lemon
“The girl you ask to dinner will never show you her true face. Her deep, caramelized skin is carefully concealed beneath layers of formality and mistrust. She runs through her standard list of questions in her head as she is seated across from you, perhaps a glass of wine or a can of beer on your side, and always a simple glass of coke on hers.
How many Black girls have you been with?
What assumptions do you make of my character due to the color of my skin?
And, How have I defied those expectations in ways that make you comfortable or pleasantly surprised?
She is aware of the attention she attracts from others– as are you. She is also aware that you are probably patting yourself on the back for taking a walk on the wild side this time, your first brown-skinned girl now under your belt, like adding some new far-away continent to your list of exotic travels. She is aware that she is not your home, nor you, hers. She didn’t come as herself tonight, something you don’t immediately realize because you believe the mystery is merely a function of the atmosphere.
Her routine is an arduous process, a series of doings and regretful undoings. While you are staring at the perfected version of her seated across from you, she is careful not to disturb the fine baby hairs that lay over the edge between the skin of her forehead and scalp. She is usually careful, but sometimes, she misses a spot. While you venture into the realm of your introductory statements and questions, she is remembering, or maybe thinking, of that same routine. Perhaps she is silently plotting when she will be able to get back to it, if instead of returning to her home tonight, she follows you to yours. She feels guilty if she misses out on this most important step, a day will be incomplete without it; it’s a matter of slathering on a salve she makes by hand to fix what she doesn’t trust has been fixed enough.
The first ingredient is easy enough to come by, but the second ingredient has her wandering in and out of spice aisles in grocery stores, dodging the quizzical glances of aproned employees who don’t volunteer to help. The third and final ingredient is always sitting on the second shelf of her pantry. It’s a stinging miracle worker, it cures her chicken in cold water before she seasons and cooks it. She adds a tablespoon of it to a mixture of thicker-than-sap nectar and pollen-colored powder, and then she is transferring the crystalline goop into vials and droppers, and applying a thick layer of it onto her forehead, chin, and cheeks. The mix will last her a few months if she is careful not to spill any when applying. You are supposed to leave it on for twenty minutes, then rinse, but she leaves it on for two hours minimum, daily. It is one of many tiny overcompensations that have become customary. The undoing will come later, when she trades her homemade mask for a layer of makeup that will worsen her skin beneath, undermining the routine of wellness she has attempted to keep.”
The ways in which I’ve worked to better myself; toeing the line between what is new, healthy progress and what was, back then, an overcompensation for a deep, aching insecurity.
Get to know more about my writing here.
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ACES: THE SOCIETY FOR EDITING Aug 2024 • Holden Diversity Fellowship
ANAPHORA ARTS Aug 2024 • In-Person Writing Retreat in Italy (Fellowship)
ANAPHORA ARTS Feb 2024 • Virtual Residency (Fellowship)
SARAH LAWRENCE COLLEGE Apr. 2015 • SLC Annual Poetry Festival Undergraduate Performer( Opened for Aja Monet)X
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ANAPHORA ARTS Mar 2025 • Publishing Program Guest Speaker
THE NEW SCHOOL (PARSONS PARIS) Jun 2024 • Creative Writing Intensive Participant
CREATIVE CAPITAL May 2024 • First Round Reviewer (2025 Creative Capital Awards)
POCKET MFA Jan 2024 • Guest Panelist for Publisher’s Panel / Q&A
THE SEVENTH WAVE May 2023 • Editor-in-Chief, "On Permanence" Community Anthology
POCKET MFA Nov 2023 • Creative Nonfiction Mentor + Workshop Facilitator
THE WHITING FOUNDATION May 2023 • First-Round Reader (2024 Whiting Awards)
THE WRITERS’ ROOM AT 826 MSP Apr. 2023 • Guest Panelist for Editor’s/Publisher’s Panel
BALLARD SPAHR POETRY PRIZE Mar. 2023 • Second-Round Reader for 2023 Ballard Spahr Poetry Prize
“CONTAINER WORK” VIRTUAL PUBLISHING WORKSHOP Oct. 202 • Guest Speaker
SUNDAY SALON NYC Dec. 2019 ª Performer
LIT MAGAZINE May 2019 • Reader, Assistant to Editor
THE RIGHT TO WRITE WORKSHOP Mar. 2017 • Creative Writing Workshop Facilitator for youthful offenders (Valhalla Correctional Facility)
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“With A Hunger to Swallow the World” Jan. 2025 • The Seventh Wave magazine, “On Gaming” Anthology
“Honey, Turmeric, Lemon” • Midnight & Indigo magazine Feb. 2021
“Mira Jacob: I’m Not Going To Hold It For You" • Guernica magazine Mar. 2020
“Is This Your First Time?” • Seventh Wave magazine. Nov. 2020